The dancing shots were amazing, as were the multiple close-ups of Portman's exquisite face. I was actually far more impressed with Mila Kunis and her admirably casual approach to ruthless ambition. I know Portman was playing the role of diminutive, quiet little girl, but come on - she's been playing that role for about 15 years now and while her performance is amazing, it's not like she didn't have any practice. On Charlie Rose she even acknowledges that director Mike Nicholls sent her to a voice coach to get rid of her ''little girl voice''. (Is it also wrong to say that Portman was far more beautiful and sexy in Leon than in any subsequent film she's made?..... Can I say that?). The costumes were perfect, but I'm very put off by the big stink that Rodarte have caused (see this interview with Amy Westcott,
Throughout Black Swan, I was reminded of Nick Roeg's Performance. The mirror play, swapping of identities, except in Performance the crisis occurs between two men. It was the reason I learned how to use a camera, Performance. It's also Rachel Weisz's favorite film, and I wouldn't have minded seeing her in Winona Ryder's role in Black Swan...
The lead character in Perfect Blue is an unstable popstar called Mima slowly losing her mind. Aronofsky ain't gonna be winning for best original script.
Rachel Weisz in Vogue UK April 2006: Roeg-inspired, Bay Garnett-styled shoot (Garnett being chummy with Ms. Pallenberg)